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The introductory chapter creates the expectation that we will be hearing a real ghost story about the appearance of supernatural beings to two children.


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The narrative which follows this however refuses to satisfy the reader given that the fallibility of the governess calls into question the entire story being told. The absence of a final framing device leaves meaning entirely open.


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  • We are left uncertain as to whether the Governess suffocated Miles out of fear, does a ghost control her, or is it an intentional act. The sense of psychological fear embeds the conclusion with the point James makes about how the mind can play tricks when it does not fully understand or cannot fully process events.

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    There is just enough information to set the mind racing, but not enough detail to fully make sense of things. James intentionally leaves the reader feeling unsatisfied at the end of the novel. This forms a sense of unease and discomfort. James wrote that the writing and reading of fiction was an ethical project, that the effort really to see and really to represent is no idle business in face of the constant force that makes for muddlement.

    Colm Tóibín: how Henry James's family tried to keep him in the closet | Books | The Guardian

    This can certainly be applied to The Master. Digital image. The New Yorker.

    Wikimedia Foundation, n. Main interests include psychoanalysis and psychopathology relating to female Irish writers and gothic literature. View all posts by Jane Farrell. You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account.

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    Sexuality and textuality in Henry James : reading through the virginal

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